Silent Hill is, with a caveat, the greatest horror game series of all time. The caveat is, unfortunately, it's gotten progressively worse with each installment after Silent Hill 3. Almost as bad, all of its spinoff media is of questionable quality at best. Silent Hill 4: The Room was pretty good despite it's immense amount of backtracking and boring segments and Silent Hill: Shattered Memories was psychologically well-written if not scary.
Everything else like Silent Hill: Homecoming, the comics, and the movies are just eh. Not quite "meh" but eh is pretty close. Silent Hill: Downpour is an attempt to recover the lost credibility of the franchise by telling a deeply psychological story of guilt and supernatural horror. This was what won the franchise much of its immortality with Silent Hill 2, widely considered the best of the franchise. What do they achieve?
A watered-down Diet Coke version of Silent Hill.
|The action is appropriate in both difficulty and reaction.|
What I'm going to say next is not spoilers since 90% of it is in the opening scene and the remaining 10% is spoiled by interviews. The protagonist, Murphy Pendleton, is a convicted murderer on a bus transporting him to another prison when it crashes on the outskirts of Silent Hill. While there, he is tormented by visions of his crime and monsters who represent elements of his past.
So far, so good.
The problem starts at the concept stage, unfortunately, when we find out what crime Murphy is guilty of. He killed the pedophile serial killer who killed his son. Murphy also committed car theft in order to get into prison for this premeditated act. I shouldn't need to point this out but while, yes, it's murder, it's kind of hard to muster up much condemnation for Mister Pendleton.
|Brightly-lit bloody-rooms are less effective than dark ones. Particularly, when nothing all that scary happens in them.|
Silent Hill doesn't have to be a fair place. In Silent Hill 2, the character of Angela is implied to be damned to a hell of her mind's creation for the crime of murdering her sexually abusive father (and possibly mother but this is never clear). It's easy to understand why Angela is tormented by this act of self-defense, though, and why she can't escape the despair the evil town is torturing her with. Murphy, by contrast, seems to feel somewhat guilty about killing his victim but is largely okay with it.
This would not be a damning offense by itself but the game seems uninterested in exploring any other reasons Murphy might be feeling guilty. Is he tormented by the thought of failing to protect his son? Not really. Does he regret throwing the rest of his life away for killing a man who is already imprisoned for the rest of his life? Not that I can tell. There's a plot thread where Murphy is implied to have done something unspeakable in order to get at his foe--but this, too, falls apart. The game seems worried that, God forbid, we find Murphy unlikable because of something he did in his past.
The game's monster designs are similarly lazy. You'd think in a game series where evil faceless children are one of its most iconic monsters we'd see some of the little bastards show up in order to torment a father traumatized by his son's death. Nope. There's a weeping banshee monster but I have no idea who this is supposed to represent. Murphy's wife? We never get her reaction to Murphy's vengeance crusade. There's some prisoner monsters but we don't know Murphy's relationship to his fellow inmates. Was he abused? A snitch? There's no hint to what sort of life he felt in prison.
|Again, too brightly lit. Less foreboding place of horror and more "basement."|
Even the Otherworld levels, ostensibly set in an environment inspired by Hell, are actually kind of nice. They take a lot of imagery inspired from Steampunk and Alice in Wonderland. Which, again, doesn't really speak too much to Murphy's mindset. The fact the prison sequence doesn't actually do much set in a prison irritates me almost as much as the aforementioned tunnel scene. Aside from the "stabbing to death a man in the shower" tutorial, there's not much in this which couldn't be on an episode of Scooby Doo (RIP Casey Kasem).
Despite this, the game is probably the best thing since Silent Hill IV and may be as good in a "trade off one bad for another" sort of way. Silent Hill IV could be scary and haunting at times. Silent Hill: Downpour is never either. Silent Hill IV's gameplay is often shit. Downpour is always above-average (sometimes bordering on easy).
|They stole a scene from the Great Mouse Detective. Seriously. That's...an odd source for horror.|
I could go on and talk about how poor the moral choice system is for horror or how the side-quests in the game are bogus (except for one involving an autistic child--which gave me nightmares, good job, game!) but you get the picture. Downpour just isn't scary or horrifying. It also misses a lot of opportunities to do so. It's not a bad game but the biggest problem is, with a little more daring, the game could have been a great one.
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