There's something to be said for B-movie horror, even if it's often designed to gross you out, titillate, and kill people (sadly most often women) in gruesome fashions. I'm not sure that something is positive but it's to be said. Stuart Gordon is one of my favorite masters of B-movie horror for the ridiculously over-the-top Re-Animator series. While I can't recommend the Re-Animator series due to some truly shocking scenes, except for perhaps the final film Beyond Re-Animator, I will say I recommend this particular work.
Because we all have our guilty pleasures and this is one of mine.
|It's the little touches I love, including Paul's Miskatonic University sweatshirt.|
I can't help but wonder if the role of Paul (Ezra Godden) was originally intended to be played by Jeffrey Combs. The character of Paul looks, dresses, and even acts like Jeffrey Combs' trademark characters (excepting Weyoun). It's the kind of role which would be played by Cillian Murphy now if they could afford him. He's a surprisingly nuanced character for someone playing an obnoxious millionaire. In the midst of all the chaos and insanity he experiences, we get some real character moments. I really believed he was the sort of guy who never expected to become rich and has found himself rendered purposeless.
|This throne tells you everything you need to know about the movie's camp factor.|
The movie also has a more respectful tone to Christianity than the original Shadow over Innsmouth (not surprising given Lovecraft's atheism and its role in his stories). If not for the gore, nudity, and let's be frank--everything else, this movie might have been used in my Sunday school. The town's rejection of Christianity for material wealth and primordial alien gods is the kind of lesson they taught when I was a child--before church started dumbing down the lessons when I reached adulthood.
|This is not what Deep Ones look like.|
The real heart of the film, though, is in the character of Barbara (Raquel Merono). Barbara is the actual protagonist of the movie and one of my favorite ladies of horror. She is proactive, defiant, and iron-willed until the movie's end. The character's distress at the end of the movie forfeits this movie any feminism points (and in a major way!) but I enjoyed Ms. Merono's performance the entire way through. The fact she's easy on the eyes doesn't hurt my reception of the performance either.
Less effective but still enjoyable is the character of Uxía Cambarro played by Macarena Gomez. The eerie pale-skinned brunette personifies the temptations of Dagon (implied to be related to Cthulhu somehow) and the absolute batshit crazy his influence can drive a person to. She could have played this part subdued and menacing but decided to ham it up to the point of creating a run on pork. This is probably the best choice as the character's utter crazy is always watchable. Someone should find this woman and put her in a movie with Tim Curry (a Call of Cthulhu adaptation?).
|This is closer.|
The movie's gore factor is considerable with an actual, straight from Conan nubile maiden human sacrifice, as well as human faces being skinned to create ceremonial masks. That's not getting into the body-horror elements. Rather than attempt to replicate the excessively large eyes and other qualities of the "Innsmouth look" which would just make the townspeople look like anime characters--the movie instead goes for cephalopod themes. After I got used to it, I think I came to prefer it since I've always preferred Illithids to Deep Ones. Some of the appendages make no sense but I assume combining human and Cthulhuoid D.N.A is difficult.
In conclusion, Dagon is a story which is very-very much in the B-movie fold. It's got a great deal more nuance than the majority of them but don't expect to see the material rise up above its blood and nudity quotient. However, in a world where Game of Thrones is a massive success, maybe Dagon is for you.
As it was for me.